Short Update from Simon Parkes Yesterday


START at 3:40 to get right into the political business.

We have the SF, Space Force and SC, Space Command run by the Military, part of the Air Force.


If there’s nothing but planets and stars going on out in space then why are the top notch air force run by General Dickensen so serious? They know which stellar species have our backs and which ones don’t. That’s why. The military folks have worked face to face with E.T.’s for about 50 years or more. Probably more like 100.

We have the SP, Space Force and SC, Space Command run by the Military, part of the Air Force.


If there’s nothing but planets and stars going on out in space then why are the top notch air force run by General Dickensen so serious? They know which stellar species have our backs and which ones don’t. That’s why. The military folks have worked face to face with E.T.’s for about 50 years or more. Probably more like 100.

Med Beds are Here from Stellar Species


http://www.blissfulvisions.com/articles/med-beds.html

This is an example of tech left here for us that has been disclosed. These beds will be used for many people but specifically for the children who are still alive but were tortured and abused underground by the D.S. While it’s true that we can heal ourselves and change the expression of our genes, these beds will help speed the process along for extreme cases.

I was meditating this morning and had very strong empathy and a vision of these children and their experience finally being brought into the open to the public. It’s going to be very rough for many people’s psyches to remember their own trauma in the their families and in the churches. My heart goes out to humanity for what we’ve been through and truly hope we can all turn things around and have a good, peaceful life. Sexual abuse happens to men and to women also. We have some years ahead coming to terms with this in the Human Family.

There is synchronicity here with Red Serpent and antipode Blue Eagle which we just entered 30 minutes ago.

Happening Now. David Wilcock Live Should Start in a Few Minutes.


I noticed Joan of Arc Birth Themeplex 6 days ago, White 12 Crystal Mirror and had a feeling something was being infused into OUR TIME. And what is the main symbol for White Mirror? A SWORD, which she is holding. Big Synchronicity.

https://www.history.com/topics/middle-ages/saint-joan-of-arc

Great New Video about DNA via Epigenetics by Bruce Lipton PhD.—-16 minutes long.


It’s animated but is intelligently done. No kid stuff.

Wednesday; Yellow 5 Radiant Seed; VALINE


Overtone Seed has a confidence that is rarely wrong. They do their homework! Many are teachers and coaches and are all about empowerment, hard work, focus, and reaching your potential.

Valine, Arginine, Glutamic Acid, Lysine and Phenylalanine.

Yellow 5 Overtone Seed targets self-awareness and flowering. It’s an active dynamic, a spiritual creator, potentiality and leader, performer, and influential.

The Analog is Blue 5 Radiant Eagle; a commanding, radiant mind supports independence commitment and vision.

The Guide Power this morning was Yellow 5 Radiant Human. This is an empowered human being taking care of business in physical, a creator and holder of the chalice taking it up with both hands.

The Antipode challenge this afternoon is Receptive White 5 Radiant Wizard. He is preoccupied with timelessness, he’s psychic, aligned with Source, sensitive, a torch bearer and concerned with spirituality.

The Hidden Wisdom is Red 9 Solar Earth. This evening we are realizing our INTENTIONS, we’re Pulsing synchronicity and an awareness of navigation in the Matrix.

The 5GForce is Yellow 9 Solar Warrior; A strong awareness of Free-Will and the intelligence to execute it.

Have a great day!

Again…as I’m posting today’s Line-up.


I just got the 11:11 signal again just now. Early this morning I saw 1:11.


They are with me. I’m on the beam folks

I just got the 11:11 signal again just now. This morning early I got 1:11.


They are with me. I’m on the beam folks

Time Innovation: History-Archeology-The secrets and significance of gold in MesoAmerica


Since Trump is going to attempt to return the U.S. to the Gold Standard I thought it would be interesting to see what gold meant to the Maya and how they used it. In addition, here is an article on how we would go about making the switch. I’m really questioning it and will have to ponder it further. It’s important to note that the single reason that this whole Plandemic is happening, the election rigged, and in 1963, Kennedy shot, was because they wanted to return to the Gold Standard. It’s social implications and history are very controversial. Yet…there is FAR, FAR more gold in our local system than anyone knows. We just have to mine it. -Corey Goode

Just in the last week, my cryptocurrency has dropped $100.00 in value.

https://fee.org/articles/how-to-return-to-the-gold-standard/#:~:text=The%20goal%20of%20returning%20to,2)%20to%20arrange%20for%20the

A golden Maya mask. 13th century

Gold – Apr 14 – Glint 

From zoomorphic masks to the secrets of lost metallurgy, how and why did gold become such an important representation of wealth and power for Mesoamerica’s Aztecs, Mayans and Mixtecs?The Mesoamerican region and its cultural areas in the Pre-Columbian era

The Mesoamerican region and its cultural areas in the Pre-Columbian era

Mesoamerica is the region where North and South America meet, extending from contemporary central Mexico to Honduras and Nicaragua. Since 1500 BC it has been home to many great civilizations, including the Maya, Aztecs, Olmecs, Mixtecs, Toltecs and Zapotecs. Anthropological and archaeological explorations in the area have emphasized the importance of sculpture, pottery, textiles, precious stones, and gold to these peoples.

So, when is Mesoamerican goldsmithery dated from? In fact, compared to other ancient civilizations, the emergence of gold metalwork in Central America occurred relatively late, with distinctive works apparent in west Mexico from around 800 AD[1]. The region is unique for its interesting metallurgical technology. The Mesoamerican peoples’ interest in the sound, color and reflectivity of theirA golden Maya mask. 13th century

A golden Maya mask. 13th century

ornaments[2] informed the choices of their craftsmen who focused on making jewelry, display items, sheet metal breastplates, crowns and objects that could produce sound. All these items incorporated a variety of techniques developed by artisans and rendered in shadings, engravings and embossing.Golden Aztec-Mixtec pendants. Circa 1400-1515

Golden Aztec-Mixtec pendants. Circa 1400-1515

Today, our most important source of information for the pre-Colombian Mesoamerican gold work and jewelry manufacture is the descriptions contained within the Florentine Codex (1548 – 1561), a tome written under the supervision of the Franciscan priest Bernardino de Sahagún.

In the ninth book of the codex, Sahagún describes and illustrates the manufacturing processes and technology employed by Mesoamerican goldsmiths to produce the artefacts by depletion gilding and a now lost wax casting technique, which involved the pouring of molten metal into a mold that has been created by taking an impression from a wax model. Once the mold is made, the wax model is melted and drained away[3]. The level of sophistication embodied by the gold artifacts and jewelry from the period is only replicable today using modern technology. The gap in our knowledge of how such pieces were made has led to a range of different theories, all trying to explain the lost secrets that allowed Mesoamericans to reach their remarkable levels of craftsmanship.Depiction of various crafts in the Florentine Codex, Book IX

Depiction of various crafts in the Florentine Codex, Book IX

Aztec Gold Work  

As tribute, the Aztecs were often gifted raw gold materials including powders, ingots and sometimes even foil. These were often brought from the Oaxaca and Guerrero areas. Interestingly, manufactured gold pieces (e.g. pendants) were also offered as presents to rulers, priests or elite warriors, although this was less common. Historical sources also show that goldsmiths from the Oaxaca region often worked in Aztec workshops to produce artifacts for Aztec rulers and ceremonies[4].A gold Aztec lip plug in the shape of a vulture’s head. Circa 800 – 900 AD

A gold Aztec lip plug in the shape of a vulture’s head. Circa 800 – 900 AD

The Maya

Although gold was panned in the Guatemala highlands, it was not produced in great quantity. For the most part, Mayans traded for their gold with other Mesoamerican peoples[5]. The largest cache of gold and other precious metals found in the Maya territory were dredged from the sacred well at Chichén Itzá, the former Mayan city and flagship archaeological site located on the Yucatán peninsula and dating from the ninth century AD.Mayan temple of the Count at Palenque. Circa 600 AD

Mayan temple of the Count at Palenque. Circa 600 AD

The gold found in this sacred hoard contained different zoomorphic pieces, pendants, bells and figurines cast via the lost wax process[6] as well as hammered discs with mythological scenes of human sacrifice and warfare. Judging by the style, shape and size of the artifacts, it is believed that this cache may well represent the first significant trade network of gold in Mesoamerica. It is also considered the biggest collection of gold work discovered in the region.

Mixtec goldsmithing

The Mixtec civilization developed in what is now the Oaxaca state of Mexico, thriving from 900 AD until the Spanish conquest in the 16th century. Mixtecs were the most skilled goldsmiths of Mesoamerica[7], and about 80% of the existing Mesoamerican gold artifacts belong to this culture. The gold collections found in their territory include chin ornaments or ‘bezotes’, a huge solar pendant (from the tombs of Zaachila) and various zoomorphic pieces rendered in bells, beads, foils, necklaces, rings and earrings[8]. Most of the items found are remarkable in terms of the quality of gilding techniques and the ornate depictions of animals, plants, gods and mythical beings. These pieces show the significance of gold metallurgy in the Mixtec comprehension of religious worship, ceremonial practices, mythology and warfare.A Mixtec gold pendant. Circa 1200 AD     

A Mixtec gold pendant. Circa 1200 AD-Huitzilopochtli, the Mixtec war deity

Huitzilopochtli, the Mixtec war deity

By the end of the Mesoamerican Age, goldsmithing had become wide-spread across the lands of today’s central and western Mexico, although gold artifacts were accessible only to the elites who used them both as symbols of power and for ritual purposes in burials and ceremonial offerings. Only high levels of society were allowed to wear jewelry made of the precious metal – the great symbol of the Sun and the gods that represented it.

[1] p. 290; Sil J., Guerrero G., Vargas J., Díaz E., Vázquez E. 2009. ‘Technological and material features of the gold work of Mesoamerica,’ ArcheoSciences, 33: 289-297.
[2] p. 329; Hosler, D. 2014. ‘Mesoamerican Metallurgy: The Perspective from the West,’ p. 329-359 in Roberts B., Thornton (eds.). 2014. Archaeometallurgy in Global Perspective: Methods and Syntheses, Springer: New York, NY.
[3] https://www.britannica.com/technology/lost-wax-process
[4] p. 291; Sil J., Guerrero G., Vargas J., Díaz E., Vázquez E. 2009. ‘Technological and material features of the gold work of Mesoamerica,’ ArcheoSciences, 33: 289-297.
[5] p. 318; Foster, L. 2002. Handbook to Life in the Ancient Maya World, Oxford University Press: New York.
[6] p. 291; Sil J., Guerrero G., Vargas J., Díaz E., Vázquez E. 2009. ‘Technological and material features of the gold work of Mesoamerica,’ ArcheoSciences, 33: 289-297.
[7] p. 292; Sil J., Guerrero G., Vargas J., Díaz E., Vázquez E. 2009. ‘Technological and material features of the gold work of Mesoamerica,’ ArcheoSciences, 33: 289-297.
[8] p. 515; Ortiz-Diaz, E., Sil, J. 2009. ‘An Historical Approach to a Gold Pendant: The study of Different Metallurgic Techniques in Ancient Oaxaca, Mexico, During the Late Postclassic Period,’ p. 511-518 in Archaeometallurgy in Europe: 2nd International Conference, Aquileia, Italy, Associazione Italiana di Metallurgia: Milano.

The secrets and significance of gold in Mesoamerica


Since Trump is going to attempt to return the U.S. to the Gold Standard I thought it would be interesting to see what gold meant to the Maya and how they used it. In addition, here is an article on how we would go about making the switch. I’m really questioning it and will have to ponder it further. It’s important to note that the single reason that this whole Plandemic is happening, the election rigged, and in 1963, Kennedy shot, was because they wanted to return to the Gold Standard. It’s social implications and history are very controversial. Yet…there is FAR, FAR more gold in our local system than anyone knows. We just have to mine it. -Corey Goode

Right at this moment cryptocurrency is looking more equitable to me than ever. I never took that position before. We could be a society of crypto and gold. Just in the last week, my cryptocurrency has dropped $100.00 in value.

https://fee.org/articles/how-to-return-to-the-gold-standard/#:~:text=The%20goal%20of%20returning%20to,2)%20to%20arrange%20for%20the

A golden Maya mask. 13th century

Gold – Apr 14 – Glint 

From zoomorphic masks to the secrets of lost metallurgy, how and why did gold become such an important representation of wealth and power for Mesoamerica’s Aztecs, Mayans and Mixtecs?The Mesoamerican region and its cultural areas in the Pre-Columbian era

The Mesoamerican region and its cultural areas in the Pre-Columbian era

Mesoamerica is the region where North and South America meet, extending from contemporary central Mexico to Honduras and Nicaragua. Since 1500 BC it has been home to many great civilisations, including the Maya, Aztecs, Olmecs, Mixtecs, Toltecs and Zapotecs. Anthropological and archaeological explorations in the area have emphasised the importance of sculpture, pottery, textiles, precious stones, and gold to these peoples.

So, when is Mesoamerican goldsmithery dated from? In fact, compared to other ancient civilisations, the emergence of gold metalwork in Central America occurred relatively late, with distinctive works apparent in west Mexico from around 800 AD[1]. The region is unique for its interesting metallurgical technology. The Mesoamerican peoples’ interest in the sound, colour and reflectivity of theirA golden Maya mask. 13th century

Agolden Maya mask. 13th century

ornaments[2] informed the choices of their craftsmen who focused on making jewellery, display items, sheet metal beastplates, crowns and objects that could produce sound. All these items incorporated a variety of techniques developed by artisans and rendered in shadings, engravings and embossing.Golden Aztec-Mixtec pendants. Circa 1400-1515

Golden Aztec-Mixtec pendants. Circa 1400-1515

Today, our most important source of information for the pre-Columbian Mesoamerican gold work and jewellery manufacture is the descriptions contained within the Florentine Codex (1548 – 1561), a tome written under the supervision of the Franciscan priest Bernardino de Sahagún.

In the ninth book of the codex, Sahagún describes and illustrates the manufacturing processes and technology employed by Mesoamerican goldsmiths to produce the artefacts by depletion gilding and a now lost wax casting technique, which involved the pouring of molten metal into a mold that has been created by taking an impression from a wax model. Once the mold is made, the wax model is melted and drained away[3]. The level of sophistication embodied by the gold artefacts and jewellery from the period is only replicable today using modern technology. The gap in our knowledge of how such pieces were made has led to a range of different theories, all trying to explain the lost secrets that allowed Mesoamericans to reach their remarkable levels of craftsmanship.Depiction of various crafts in the Florentine Codex, Book IX

Depiction of various crafts in the Florentine Codex, Book IX

Aztec Gold Work  

As tribute, the Aztecs were often gifted raw gold materials including powders, ingots and sometimes even foil. These were often brought from the Oaxaca and Guerrero areas. Interestingly, manufactured gold pieces (e.g. pendants) were also offered as presents to rulers, priests or elite warriors, although this was less common. Historical sources also show that goldsmiths from the Oaxaca region often worked in Aztec workshops to produce artefacts for Aztec rulers and ceremonies[4].A gold Aztec lip plug in the shape of a vulture’s head. Circa 800 – 900 AD

Agold Aztec lip plug in the shape of a vulture’s head. Circa 800 – 900 AD

The Maya

Although gold was panned in the Guatemala highlands, it was not produced in great quantity. For the most part, Mayans traded for their gold with other Mesoamerican peoples[5]. The largest cache of gold and other precious metals found in the Maya territory were dredged from the sacred well at Chichén Itzá, the former Mayan city and flagship archaeological site located on the Yucatán peninsula and dating from the ninth century AD.Mayan temple of the Count at Palenque. Circa 600 AD

Mayan temple of the Count at Palenque. Circa 600 AD

The gold found in this sacred hoard contained different zoomorphic pieces, pendants, bells and figurines cast via the lost wax process[6] as well as hammered discs with mythological scenes of human sacrifice and warfare. Judging by the style, shape and size of the artefacts, it is believed that this cache may well represent the first significant trade network of gold in Mesoamerica. It is also considered the biggest collection of gold work discovered in the region.

Mixtec goldsmithing

The Mixtec civilisation developed in what is now the Oaxaca state of Mexico, thriving from 900 AD until the Spanish conquest in the 16th century. Mixtecs were the most skilled goldsmiths of Mesoamerica[7], and about 80% of the existing Mesoamerican gold artefacts belong to this culture. The gold collections found in their territory include chin ornaments or ‘bezotes’, a huge solar pendant (from the tombs of Zaachila) and various zoomorphic pieces rendered in bells, beads, foils, necklaces, rings and earrings[8]. Most of the items found are remarkable in terms of the quality of gilding techniques and the ornate depictions of animals, plants, gods and mythical beings. These pieces show the significance of gold metallurgy in the Mixtec comprehension of religious worship, ceremonial practices, mythology and warfare.A Mixtec gold pendant. Circa 1200 AD     

AMixtec gold pendant. Circa 1200 ADHuitzilopochtli, the Mixtec war deity

Huitzilopochtli, the Mixtec war deity

By the end of the Mesoamerican Age, goldsmithing had become wide-spread across the lands of today’s central and western Mexico, although gold artefacts were accessible only to the elites who used them both as symbols of power and for ritual purposes in burials and ceremonial offerings. Only high levels of society were allowed to wear jewellery made of the precious metal – the great symbol of the Sun and the gods that represented it.

[1] p. 290; Sil J., Guerrero G., Vargas J., Díaz E., Vázquez E. 2009. ‘Technological and material features of the gold work of Mesoamerica,’ ArcheoSciences, 33: 289-297.
[2] p. 329; Hosler, D. 2014. ‘Mesoamerican Metallurgy: The Perspective from the West,’ p. 329-359 in Roberts B., Thornton (eds.). 2014. Archaeometallurgy in Global Perspective: Methods and Syntheses, Springer: New York, NY.
[3] https://www.britannica.com/technology/lost-wax-process
[4] p. 291; Sil J., Guerrero G., Vargas J., Díaz E., Vázquez E. 2009. ‘Technological and material features of the gold work of Mesoamerica,’ ArcheoSciences, 33: 289-297.
[5] p. 318; Foster, L. 2002. Handbook to Life in the Ancient Maya World, Oxford University Press: New York.
[6] p. 291; Sil J., Guerrero G., Vargas J., Díaz E., Vázquez E. 2009. ‘Technological and material features of the gold work of Mesoamerica,’ ArcheoSciences, 33: 289-297.
[7] p. 292; Sil J., Guerrero G., Vargas J., Díaz E., Vázquez E. 2009. ‘Technological and material features of the gold work of Mesoamerica,’ ArcheoSciences, 33: 289-297.
[8] p. 515; Ortiz-Diaz, E., Sil, J. 2009. ‘An Historical Approach to a Gold Pendant: The study of Different Metallurgic Techniques in Ancient Oaxaca, Mexico, During the Late Postclassic Period,’ p. 511-518 in Archaeometallurgy in Europe: 2nd International Conference, Aquileia, Italy, Associazione Italiana di Metallurgia: Milano.

Simon Parkes Video 1 of 2; 664,000 Views


January 20, 2021. It was Red Spectral 11 Earth leading to Blue 13 Cosmic Storm. Simon Parkes is on this.


Click here for Sacha Stone’s video;

http://www.earthheroestv.com/programs/usa-ground-zero-the-eye-of-the-storm-20585-21b22d?categoryId=67197

Sacha titled this “Eye of the Storm” in total synchronicity with the Tzolkin Matrix.

This video had 15,000 views at the end. Just for the record, Simon Parkes regularly gets 400,000 views and has been maligned by many on Twitter and WeLoveTrump.com. I totally disagree with it.

Notice Lady Gaga dressed in Luciferian colors black and red basically making a mockery of the dove of peace set on black. She’s a core Mason.

Kamala is illegally sworn in which should be by a sitting Justice.

As I watch this, I relate to Sacha so much in his outspoken cynicism.

Simon’s comments are great. He said he personally had the heads up 4 weeks before and knew this had to play out in order to get OUR way in the end. Biden represents Totalitarian control. IT WILL NOT STAND.

Trump did not have the back-up ready to fill Congress because 75% of the Congress has a criminal file and a sealed indictment! They are the swamp. We can’t lose continuity in the U.S. Government.

Stay the Course. Intel From the Military.


China Quantum Comms…


Ancient Alien Debris. And You Thought Only Humans Littered.


Update of TSR as of Late Last Night


I showed you folks this which is a table I created on my laptop. It’s all condensed and all the tables are in my book; “Time is DNA”.

which was transferred from this which I did by hand months ago;

They are the same thing. What I realized yesterday is that there are two different polarity designations which I did not see before. the 0’s and 1’s are computer binary code designation as the Tzolkin “could be” translated into binary code. I was going to do that but it would need to be processed through a QUANTUM COMPUTER. The Tzolkin is far past our 64/32 bit computers as it’s multidimensional. In fact, the only thing on earth that processes it precisely is OUR BODIES. Our bodies ARE ONE WITH THE TZOLKIN and The Universe. Think of Baby Yoda. LOL!! Don’t tell the biologists, white coat doctors, 3D clenching microbiologists, virologists and god knows who else, that truth. They don’t believe it anyway. Their careers will be ruined by HUMANS knowing the power of the DNA in every cell of their body WHICH WE CAN PROGRAM OURSELVES along with the superpower of our blood.

So, the way the Tzolkin aligns the anode and cathode, positive and negative electrical charge of the molecules is in a different order than the I Ching Square of 8. The above alignment is a study in the I Ching Hx’s which are in order specifically according to Hx number. They are not numerically progressive. The order is based on something else.

For instance, the Square of 8 starts with Hx 56 and Tzolkin starts with Kin#1. They are two very different oracles with different spins and electromagnetic realities. I believe that’s because they communicate our cellular alignment in different dimensions (if that can be said). I don’t know. Science says the dimensions are ONE but I have see HOW in these Oracles. The hexagram numbers adding up to 260 horizontally is a fascinating start. Again, Jose did not do the work of joining the two oracles and examining them as amino acids. I’m doing that.

This is the Tzolkin alignment of polarities which make the DNA spin in the double helix. Again, I had to figure this out by hand myself. There was no document to look at. I deduced it from “Earth Ascending”. Jose didn’t figure this out. I did. But he drew graphics “pointing” to it.

But now, I have to figure out the polarities according to the 64 hexagrams which are helter skelter, in no particular order and get those corrected on the I Ching square of 8.

My Mom asked me on the phone last night, “Don’t the Stellar Species already have this information?” That’s a fair question and reminds me of what Corey Goode said are assumptions about E.T.’s by humans; that they are further advanced than us or smarter. No, they are not. They actually do homage to us when they meet us. It’s a mutual admiration society but not all E.T.’s are ahead of us.

Why would they be? They’re not from this planet. Some are geneticists but they don’t necessarily see it the way we do. Some of them seeded us here and monitored our evolution but The I Ching and the Tzolkin were both IMPORTED here by Red Dragon Tribe and probably Yellow Star Tribe for the Tzolkin. Humans are different but not all together different. We are ONE universal family, but just like humans on this planet have different perceptions and cultures the same is true of our DNA spread among stellar species. I’m trying to prove we are more alike than different but that takes examination.

The Maya came from Venus so it was either Blue Monkey or Yellow Star. The oracles are recent in Earth’s 14 billion year history before there were any humans here at all. The human species is only approximately 1 million years old. We basically just got to the planet and have been in charge of our own evolution to a great degree.

Saturday; Stargates at Area 51. Science Fact not Fiction. Enlightenment for Yellow 1 Magnetic Sun. DISCLOSURE.


Take a 20 minute look at the video while I finish the rest of the post and come right back please.

Stop Codon, Tryptophan which is also a type of Stop Codon in sequencing, a Stop Codon again, Aspartic Acid and Cysteine.

Today is Yellow 1 Magnetic Sun and we begin a new wavespell that ends with Yellow 13 Cosmic Human. Our coordinate is 10:20:1:40 and comes right after Blue 13 Storm. They are analog! I have this gateway highlighted because it looks to me like there is something different going on. Both Yellow Sun and Blue Storm are STOP CODONs in the tRNA sequence also.

In addition, it’s 5GForce is Yellow 13 Sun. White Dog does that too with it’s 5GForce being itself. NOTE THAT YELLOW SUN IS TRIBE 20 AND WHITE DOG IS TRIBE 10. Yellow Sun and White Dog both have everything to do with dispersing Christ Consciousness from Galactic Center to Earth.

The Analog is Blue 1 Magnetic Storm; Magnetic Self Generation and movement. This is catalyzing energy. It’s a liberator of the mind and an activator for Light Body Ascension which we are heavily, actively IN right now. Note that you will need more sleep than usual and try not to analyze how strange your body feels by white coat differential diagnosis. They are wrong about almost everything being beholden to Deep State. All of science is which is why they are so corrupt. Use your intuition with your body, ask your guides and meditate. Most importantly, find a happy spot doing something that floats your cork no matter what it is, something you can do for yourself no matter what is going on in the world. Mine is espresso or tea, my Tzolkin Project and working out.

The Guide Power this morning is ITSELF-double power pulse.

The Antipode, which feels like there is an echo in the room, is White 1 Magnetic Dog. Love and Loyalty that have a drawing power.

The Hidden Wisdom is Red 13 Cosmic Dragon. Well, what to do with that one. Maybe I am biased. Is there a remnant of the Dragon tribe as human kin that are cosmic? Are they still on the wagon? I have a couple friends who are 13 Dragon and they DITCHED. I will keep an open mind. This is our most ancient tribe when it comes to DNA so yes, they are in our family.

I noted the GForce above.

We are one quarter of the way through the 260 day Galactic Spin today. 40 x 4 =260. This is a type of quarterly report to Galactic Center on OUR STATUS on this planet.