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Synchronicity is the Source of Consciousness
Time is the strands of past and future in our DNA, not the hands of time on a clock
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Are we really only relevant to the extent that other human beings find us relevant? Isn’t that why people have dogs and cats? You’re always relevant to your pet if only because they need you to feed them. If you need to be needed, you need to feel relevant. I guess I need to express myself more than be considered relevant.
Or maybe we do literally need to be perceived as relevant in order to make money. That’s really what underlies our actions. We just need money. We have to have money to survive. Many people know how to fake care about others for accolades, fame, sales, and money. Their ego just needs attention. Mine don’t mostly because I find it boring and tedious.
The issue here is there are many superb people doing fabulous work that are irrelevant to the masses because the masses don’t see or appreciate fabulous work. That is the case for many brilliant artists and it remains that way until they die. I’m not doing fabulous work at the moment so that’s not the case for me. If I was doing fabulous work I wouldn’t look for the masses to appreciate it though.
What about relevant to yourself? We’re always more relevant to ourselves than we are to others because they don’t live in our bodies or with us. That’s kind of the crux of it. That is the case for me. I wish I could be paid to be improving my body which is what I’m pre-occupied with. Instead, I live in a system that wants me to pay it to be sick. If I take care of myself and don’t need their pills, surgery, or visits, I’m irrelevant. So they work very hard to convince me and everyone else that there is something wrong with us and we need them. That’s just vacant and evil.
This was a very weird day. My intuition was in high gear and I just rolled with it as usual. Yes, I do want to eventually be relevant because human empowerment to live in balance not overtop of all life is a good thing. That’s what I care about. I find that relevant.

Click here for the full interview for your reading pleasure this weekend.
Paglia is an essayist, author, and professor of humanities at the University of the Arts in Philadelphia, where she has taught since 1984. She completed her Ph.D. at Yale under the supervision of Harold Bloom, author of The Western Canon. Her first book, Sexual Personae: Art and Decadence, from Nefertiti to Emily Dickinson, was listed by David Bowie as one of “100 books we should all read.”
Her other books include Break, Blow, Burn, a close-reading of 43 classic poems, and Glittering Images: A Journey Through Art from Egypt to Star Wars. In recent years, her essays have been collected and published in new editions, including Free Women, Free Men: Sex, Gender, and Feminism (February 2018) and Provocations: Collected Essays on Art, Feminism, Politics, Sex, and Education, which was released by Pantheon in October 2018.
“I thought Derrida and DeMan and the rest of that crew were arrant nonsense from the start, a pedantic diversion from direct engagement with art. About the obsequious Yale welcome given to the prattlings of one continental “star” visitor, I acidly remarked to a fellow grad student sitting next to me, “They’re like high priests murmuring to each other.”
Love it.
“Nevertheless, the poisons of post-structuralism have now spread throughout academe and have done enormous damage to basic scholarly standards and disastrously undermined belief even in the possibility of knowledge. I suspect history will not be kind to the leading professors who appear to have put loyalty to friends and colleagues above defending scholarly values during a chaotic era of overt vandalism that has deprived several generations of students of a profound education in the humanities. The steady decline in humanities majors is an unmistakable signal that this once noble field has become a wasteland.”
Anything focused on real intelligence, literacy, and human beings have been thrown to the wayside. Mediocrity or below rules the day.
“The headlong rush to judgment by so many well-educated, middle-class women in the #MeToo movement has been startling and dismaying. Their elevation of emotion and group solidarity over fact and logic has resurrected damaging stereotypes of women’s irrationality that were once used to deny us the vote. I found the blanket credulity given to women accusers during the recent U.S. Senate confirmation hearings for Brett Kavanaugh positively unnerving: it was the first time since college that I truly understood the sexist design of Aeschylus’s Oresteia, whose mob of vengeful Furies is superseded by formal courts of law, where evidence is weighed.”
WOW!!
“What I see spreading among professional middle-class women is a bitter resentment toward men that is in many cases unjust and misplaced. With divorce so easy since the sexual revolution, women find themselves competing with younger women in new and cruel ways. Agrarian women gained power as they aged: young women were brainless pawns whose marriages, pregnancies, childcare, cooking, and other chores were acerbically supervised and controlled by the dictatorial crones (forces of nature whom I fondly remember from childhood).
In short, #MeToo from a historical perspective is a cri de coeur from women who are realizing that the sexual revolution that many of us had once ecstatically embraced has in key ways devalued women, confused their private relationships, and complicated their smooth functioning in the workplace. It’s time for a new map of the gender world.”
She’s speakin’ it. On many points, I agree with her. Crack a book, folks; female and male.
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